ロンドン・ヤングヴィック劇場の2017/18シーズン
「エンジェルス・イン・アメリカ」ナショナル・シアターで幕をあける
カクシンハンの主宰、木村龍之介が最新作について語った
2017年のエジンバラ演劇祭の招待プログラムが発表されました
２０１７年のオリヴィエ賞決まる
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Festival/Tokyo director Sachio Ichimura looks to a new generation
Review of ‘Nihon Bungaku Seisuishi’ (The Rise and Fall of Japanese Literature)
Standing ovation on the premiere night of SPAC’s “Antigone” at the Avignon Festival
“Utamaro” musical a great success in Washington D.C.
A symposium on Samuel Beckett — and “Godot” — at Theater X (Kai) in Ryogoku, Tokyo
PARCO to present a biographical play about Canadian novelist Nelly Arcan in November
Teshigawara’s intriguing “Petrouchka” opens June 15th
Finding the drama without words — Company Derashinera
Yuh Kamiki will stage his acclaimed solo work “Momotaro” in Seattle on June 10
The musical entertainment “Matsurowanu Tami” is running at the Za Koenji
“Daikon (Radish) – Singular Godot” is a firm favourite with Japanese audiences
Keralino Sandrovich sweeps Japan’s major drama awards for 2016
Kinoshita Kabuki presents a rare full-length, 6 hour “Tokaido Yotsuya Kaidan”
Chari-T project presents a new play about the new conspiracy law
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![[
芝居漬け] 田中伸子の観劇レビュー ブログ Theatre Review Blog by Nobuko Tanaka](https://i0.wp.com/jstages.com/wp-content/uploads/2016/06/bnr-blog-kokorog.jpg?w=720)